Jacob Yeates

Documentation of work installed in Mirror Lab from June 5, 2026 - June 25, 2026

Photography by Natalia Mendez

Documentation of June 25, 2026 closing reception and panel discussion with panel participants Justyna Deszcz-Tryhubczak, Nick Kleese, B. Rosas, and Aydin Yildiz.

Photography by Natalia Mendez

Digital prints: graphite, conte, digital collage

16 in. W x 12 in. H

2026

Found text transcribed from The Intercept’s investigative reporting on mass killings of confined hog populations during first year of COVID-19 pandemic.

Digital prints: graphite, conte, ink, digital collage

12 in. W x 16 in. H

2026

Digital print: graphite, conte, ink, digital collage

15.75 in. W x 19.75 in. H

2026

Collage elements sourced from Dieric Bouts’s Moses and the Burning Bush, with Moses Removing His Shoes (1465-70).

Digital prints: digital drawing and collage

4.75 in. W x 6.75 in. H

2026

Collage elements sourced from Allain Manesson Mallet’s Works of Mars, or The Art of War (1684), illustrated by Romeyn de Hooghe.

Digital prints: graphite, conte, ink, digital collage

19.5 in. x 27.5 in.

2025

Collage elements sourced from Hans Holbein the Younger’s The Ambassadors (1533), particularly notable for Holbein’s incorporation of an anamorphic skull in the bottom quarter of the painting (hidden from view in this work). From left to right, the three children are Yazan Abu Foul, two years old at time of original 2025 photographic portrait, Mohammed al-Mutawaq, eighteen months old at time of original 2025 photographic portrait, and Muhammad Zakariya Ayyoub al-Matouq, eighteen months old at time of original 2025 photographic portrait.

Digital prints: graphite digitally converted to halftone

8 in. W x 10 in. H

2026

Digital print; graphite, conte, ink, digital collage, self-authored prose

27.5 in. W x 19.75 in. H

2024